Off skates warm-up today was an adventure led by PRD skaters Punk and Panda. They focused heavily on "no girl left behind," incorporating a buddy system of core work to get you in the mindset of working together to accomplish a goal. There was a lot of giggling and it looked super fun!
We launched into a dynamic warmup, followed by Transitions. Some are still struggling a bit with transitions, and I find that sometimes it is best to watch a video tutorial or have a skill explained different ways in order to truly understand the breakdown. Don't worry about the final element of this skill (spinning around blockers), but watch the basic elements of Bonnie D. Stroir's footwork as she shows the Transition. You start with your head, follow with your shoulders. Eyes stay up.
Backwards skating and backwards crossovers were on your own today, as we have worked on these skills for quite a few practices now. If you are still struggling to get the mechanics of skating backwards, this chick does an okay job of starting with the march and ending with backwards crossovers. She calls what we call watermelons "scissors" and crossovers "crossables." Work on this stuff until it's easy. We also worked on Mohawk/toestop stops again today, accentuating the "bow" at the end with our legs staggered.
We separated into two groups and did "slut cars," where you skated across from the other group on opposite sides of the track. Every time I blew the whistle, you changed into a new position staying low in your derby stance and filling any holes. Remember to touch two people and then take your hands away. No grabbing onto clothing or limbs!
We did the Spokes drill again with 4 skaters in our line, maintaining an equal distance from other lines on the track. Then we did the fan drill from there, fanning out to cover the whole track on the straightaways, then collapsing in behind the inside pack skater around the corners. Today we moved this fan drill up a level by having lane skaters 1 and 4 switch spots as they fanned and collapsed around the corners, and lane skaters 2 and 3 also switched spots. It feels much more like a fan in this sense. I think everyone got it after a lap or two! You will do more of this at the Middle School level.
Next was Mirror Image drill, mimicking your buddy in the two squares. We then moved to the track with our buddy and did the High-Five drill. This was where one girl stood on the inside track boundary line and the other stood on the outside track boundary, and for one minute you shuffled in to high-five your buddy, then shuffled back out to your spot. We took a 30 sec rest, switched spots and repeated. Then we did it by bypassing our buddy completely, shuffling right past her to essentially switch spots. This lateral movement drill is good to be conscious of track boundaries, as well as buddy awareness and working together with a teammate. It is super good to know where your girls are at on the track and how long it takes to get to them. A quick shuffle or a large few shuffles are all that are needed, staying low in your derby chair.
We moved it to a new drill called Elevator Doors. There are two pacelines right next to each other. Everyone is paired off across from their buddy. We began rolling forward in a normal paceline speed, maintaining arm's length distance from the skaters in front and behind us and next to us. On the whistle, you shuffled close to your buddy, hip to hip, making it impossible for anyone to squeeze between you. On the next whistle, you separated and created an open lane between the two pacelines. Whistle is blown, you come back together. Adding in a "jammer" from the back of the two pacelines, she enters in to the open lane. When the "elevator doors" close, she has to stop. When the "open," she skates forward. We continued the drill for a while until it was a fluid, operating line. I thought it looked pretty good!
Our last drill was a simple paceline weaving drill that is used often at most roller derby practices. In one paceline, arms distance apart, the last skater in the line weaves forward through the moving paceline with quick feet (no coasting) to the very front, then she becomes the pace car to maintain the speed of the line. The paceline should stay at the very center of the track so that the skaters weaving through can try to stay within the track boundaries as they move up. You can practice this on any court surface.
It was a heavily attended practice! Thanks for coming. Dusti bought rechargeable batteries and I just bought a charger, so we are SET on music from here to infinity and beyond! Have a great week :)
Calamity
We launched into a dynamic warmup, followed by Transitions. Some are still struggling a bit with transitions, and I find that sometimes it is best to watch a video tutorial or have a skill explained different ways in order to truly understand the breakdown. Don't worry about the final element of this skill (spinning around blockers), but watch the basic elements of Bonnie D. Stroir's footwork as she shows the Transition. You start with your head, follow with your shoulders. Eyes stay up.
Backwards skating and backwards crossovers were on your own today, as we have worked on these skills for quite a few practices now. If you are still struggling to get the mechanics of skating backwards, this chick does an okay job of starting with the march and ending with backwards crossovers. She calls what we call watermelons "scissors" and crossovers "crossables." Work on this stuff until it's easy. We also worked on Mohawk/toestop stops again today, accentuating the "bow" at the end with our legs staggered.
We separated into two groups and did "slut cars," where you skated across from the other group on opposite sides of the track. Every time I blew the whistle, you changed into a new position staying low in your derby stance and filling any holes. Remember to touch two people and then take your hands away. No grabbing onto clothing or limbs!
We did the Spokes drill again with 4 skaters in our line, maintaining an equal distance from other lines on the track. Then we did the fan drill from there, fanning out to cover the whole track on the straightaways, then collapsing in behind the inside pack skater around the corners. Today we moved this fan drill up a level by having lane skaters 1 and 4 switch spots as they fanned and collapsed around the corners, and lane skaters 2 and 3 also switched spots. It feels much more like a fan in this sense. I think everyone got it after a lap or two! You will do more of this at the Middle School level.
Next was Mirror Image drill, mimicking your buddy in the two squares. We then moved to the track with our buddy and did the High-Five drill. This was where one girl stood on the inside track boundary line and the other stood on the outside track boundary, and for one minute you shuffled in to high-five your buddy, then shuffled back out to your spot. We took a 30 sec rest, switched spots and repeated. Then we did it by bypassing our buddy completely, shuffling right past her to essentially switch spots. This lateral movement drill is good to be conscious of track boundaries, as well as buddy awareness and working together with a teammate. It is super good to know where your girls are at on the track and how long it takes to get to them. A quick shuffle or a large few shuffles are all that are needed, staying low in your derby chair.
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| lateral movement! |
We moved it to a new drill called Elevator Doors. There are two pacelines right next to each other. Everyone is paired off across from their buddy. We began rolling forward in a normal paceline speed, maintaining arm's length distance from the skaters in front and behind us and next to us. On the whistle, you shuffled close to your buddy, hip to hip, making it impossible for anyone to squeeze between you. On the next whistle, you separated and created an open lane between the two pacelines. Whistle is blown, you come back together. Adding in a "jammer" from the back of the two pacelines, she enters in to the open lane. When the "elevator doors" close, she has to stop. When the "open," she skates forward. We continued the drill for a while until it was a fluid, operating line. I thought it looked pretty good!
Our last drill was a simple paceline weaving drill that is used often at most roller derby practices. In one paceline, arms distance apart, the last skater in the line weaves forward through the moving paceline with quick feet (no coasting) to the very front, then she becomes the pace car to maintain the speed of the line. The paceline should stay at the very center of the track so that the skaters weaving through can try to stay within the track boundaries as they move up. You can practice this on any court surface.
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| Don't worry... no one looked like this going through the paceline... I just can't stop laughing at this! :) |
It was a heavily attended practice! Thanks for coming. Dusti bought rechargeable batteries and I just bought a charger, so we are SET on music from here to infinity and beyond! Have a great week :)
Calamity
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